Archive for October 2009

The Winner of Design Factor 2009 is…

12th October 2009 by Frank Norman

So the X Factor live shows started this weekend. Now we will really get to see whether the artists are as good as we have been told they are. There is nowhere to hide for Stacey, Jamie Afro et al and if we really don’t like them we can vote them off and no longer have to suffer the pain of their singing.

That got us discussing an X Factor for creative agencies and Design Inc’s dream of winning a national design competition. After all, this is all we’ve ever wanted. This is all we ever think of. This is what we were incorporated to do.

Design Incorporated design award

Design Incorporated - winners of Design Factor?

Of course, we would use a sob story to get the sympathy vote first…we used to design on a Power PC 7600, we were best friends, we were inseparable, creating designs all day long. One morning however, when we booted up, it didn’t stir. And despite our ‘kind’ pleas, slaps and punches, the Power PC had finally moved to the great silicon city in the sky.

But still, we would be so excited to get into the final 12. The weeks would go by and whatever design genre they threw at us, we would show our versatility and make those designs our own. Brochure design one week, web design the next, and on it would go with other agencies being voted out each week. Xmas would come and our hard work would get us into the final with two other creative agencies.

For the final we’d have to design like we’ve never designed before. We would need to design, illustrate and brand our creative hearts out. And then would come that statement. The statement that would make or break us. The one that would make this day the first day of the rest of our lives. And so, with our hearts beating fast, it would be read out…….

“The winner of Design Factor 2009 is……………”

Corporate Identity and Brand Design – Vastly Undervalued?

12th October 2009 by Dan Gilbert

Do you feel envious when you look at an industry leader’s marketing? Do you wish your growing SME or fledgling startup had the same level of credibility and recognition?

Is considered a safe pair of hands? or prompts an immediate association with service excellence or innovation in clients hearts and minds?

Don’t undervalue the worth of branding your company correctly. Not just the design of a logo, but the combined assets of all your marketing elements creating one consistent and powerful message. It all counts, and can be addressed at different levels and at for realistic fees

Make yours memorable, compelling, descriptive.

Autoflame Turn Up The Heat

5th October 2009 by Frank Norman

imagesDesign Inc is proud to add Autoflame Engineering to our growing portfolio of Engineering specialists.

Queen’s Award winner and global market leader in combustion management, Autoflame Engineering has become one of our latest client wins after selecting us from a shortlist of strategic creative agencies.

Working alongside their sales, marketing & product divisions, the heat was certainly on to design & deliver an innovative, fully-functional, content managed website within a very tight deadline.

No sweat for the Design Inc web team however. They kept their cool to successfully launch the new website on time, on brief and on budget.

Another flaming happy customer.

How Coated and Uncoated Paper Stocks Affect Printed Colours

2nd October 2009 by Anthony

Coated and uncoated paper stocks are easily distinguished by their appearance. A coated paper has a shimmer to its surfaces and will feel smooth and waxy to the touch, whereas uncoated papers appear matt and will feel rougher or grainier to the touch. Deciding which type and finish of paper to use for a print job is very important and can drastically affect the way a printed ink appears.

Many companies have a logo, a style and therefore a company brand and it may be set out in a companies brand guidelines that only a particular Pantone pms ink reference may be use for their printed collateral. A customer might order a letterhead, a business card and a company brochure using different types of papers for each. When the printed items are complete they may all appear to have been printed using different colours, however this is not necessarily the case.

In very crude terms, if you think of coated papers as being like a pane of glass and uncoated papers as being like a sponge, when ink is printed onto each the appearance varies greatly. Printed coated papers will appear bright and colourful almost as though the inks were sitting on the surface whereas printed uncoated papers will appear duller and less vibrant where the inks have soaked into the paper’s fibres. Despite the big difference in the appearance of the colour it is the exact same ink that would have been used to print both.

It is for this reason that paper stocks should be considered for every need carefully. We have Pantone pms reference chips in the studio to show you the effect of your brand colour on both coated and uncoated papers and are more than happy to advise what is best suited to every project.

Print Finishing Methods (Binding)

2nd October 2009 by Anthony

A multiple page printed document such as a brochure, book or booklet will require finishing to ensure the best possible look and feel. The actual method of finishing a brochure is known as binding and although there are many methods we thought it might be of help to list some of the more popular ones.

  • Saddle Stitch – a method similar to simple stapling whereby groups of 4 creased pages are collated together and stitched using metal wire in the centre crease. The wire is stitched inwards from the outer spine and can be seen both on the inside and outside of the document. Depending on the weight and thickness of paper used as many as 100+ pages can be stitched together using this method of binding.
  • Side Wire Stitching – also know as Stab Stitching this method of binding requires a metal wire to be stabbed through the edge of loose pages from front to back. This wire is then folded back on itself and covered using a binding tape.
  • Perfect Binding – this method uses grouped sections or loose pages (leaves) which have a hot glue coating to the edge and are then set inside a separate wrap around cover. This method of binding is one of the most costly and requires a spine thickness of at least 3mm. Contrary to common thought it is not ideal to simply increase the paper weight of the cover and reduce text page weight as the two tend to work against each other and pull the binding apart. When binding the 3mm minimum thickness it is better to reduce the thickness of the cover to the region of 250gsm and increase text to 170gsm, this makes for a more substantial and longer lasting finish.
  • Wire-O Binding – this common binding method is used for low cost documents and may also be known as Comb Binding. A document made up of loose leaves with a loose front and back cover are punched along the edge and held together using either a wire or plastic comb. These combs are available in a large variety of colours, lengths and diameters to suit almost any application.
  • Half Canadian Wire-O Binding – this method is similar to standard Wire-O Binding but has the added benefit of allowing a printable spine and partial covering of the comb. A single-piece cover is creased and folded around punched loose leaves and a wire comb is then bound through the back cover only. This gives the appearance of a spine and the comb can only be seen from the back of the document.
  • Full Canadian Wire-O Binding – this method provides a very similar finish to the Half Canadian Wire-O Binding, the only difference being that the comb is bound through both the front and back cover whilst still offering a printable spine.

All of these binding methods have their features and benefits and vary in cost so the best way to find out the most appropriate for your needs is to get in touch.